Analog Tape Enhancer

Analog Tape Enhancer

$59.00
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Analog Tape Enhancer

Analog Tape Enhancer

Passive Tape Simulator

Tape color with no tape transport

The ATE-03 is modelled on a passive analog tape simulator: a box with no gain stage of its own, in which two transformers and a network of harmonic circuits stand in for the behaviour of three different tape machines. There is no transport in it, and there is none in here either — no wow, no flutter, no scrape. What it has instead is saturation, compression and a set of harmonic contours.

Works with all major DAWs

AU / VST3 / AAX for Mac · VST3 for PC

Yours forever — no subscription

Instant download after purchase

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Full version, free for 14 days. No payment details needed.

Hear the difference

Press play, then switch between dry and wet to hear the same moment through the unit.

Drums
Acoustic
Bass
Mix
The ATE-03 with Bias stepping round its eleven positions, Enhance climbing and the VU riding

About Analog Tape Enhancer

The ATE-03 is modelled on a passive analog tape simulator: a box with no gain stage of its own, in which transformers and a network of harmonic circuits stand in for the behaviour of three different tape machines. There is no transport in it, and none in here either — no wow, no flutter, no scrape. What it has instead is saturation, compression and a set of harmonic contours.

That makes it a buss processor rather than a tape emulation in the usual sense. You are not printing to tape; you are borrowing what the tape electronics did to everything that passed through them.

All five hardware controls are reproduced at their real switch positions, and the panel is drawn to match the unit — brass faceplate, reel artwork behind the Deck knobs, engraved nameplates and chicken-head pointers.

Key features

Deck — LO, PRO, HI or bypass. Cassette four-track, Japanese pro, Swiss pro, or straight through. This is the broad character choice.

Bias — eleven positions plus bypass. From (−) through 1 to 9 to (+), trading treble against grit in both directions.

Enhance — 0 to 10. The parallel enhancement circuit, added alongside the signal rather than in line with it.

Headroom — LO, PRO or HI. Global sensitivity: how hard everything else is being driven.

Calibration — TK, MX, EX or HX. The four harmonic circuits. On the hardware this is a rear-panel switch and the front only carries a printed chart reminding you where you left it. A plugin has no rear panel, so the chart is the control — click a cell to select it.

A VU on the face. Real ballistics and a latched CL lamp, so you can see how hard the tape circuits are being fed.

Three things the hardware doesn't have, kept clearly separate from the model: input trim, output trim and a dry/wet mix.

The ganged Deck reels moving through LO, PRO, HI and bypass
The calibration chart stepping TK, MX, EX, HX while the VU and MIX respond

Quickstart tips

Pick the Deck first. LO, PRO and HI are three different machines, not three amounts of the same one. Choose the character before you tune anything.

Set Headroom to control how hard you are hitting it. It is a global sensitivity control — LO drives everything harder, HI gives you room. This does more than any single knob.

Use Bias as a tone control. Moving either side of center trades treble against grit. It is not a quality setting; both directions are useful.

Try the calibration cells. TK, MX, EX and HX are four different harmonic contours. Click through them on a full mix — the differences are clearest there.

Blend with Mix. The unit has no gain stage of its own, so parallel use is natural: push it hard, then dial it back against the dry signal.

Start from the presets. The factory bank is the manual's own engineer's-note settings rather than invented ones.

More details

Do I own this plugin forever?

Yes. It's a one-off purchase, not a subscription, and there's nothing to renew. Updates to a plugin you own are free — download the current installer and run it over the top.

Every plugin is sold on its own, so you can buy just the one you want. If you'd rather have all of them, the Everything Bundle collects the whole line for 30% less than buying them separately.

How many computers can I install it on?

Each license can be active on all machines you personally own you own — a studio desktop, a laptop and a couple of spares. Moving to a new computer? Deactivate the plugin on the old one and the seat frees up; if that machine is gone, contact us and we'll release it.

A purchase covers you, not a studio full of people. If colleagues need it, they need their own copy — that's what keeps a small company like this able to keep building plugins.

How do I get my download?

Your download link is in the order confirmation email sent at purchase, and in your account under Order history.

Your license key is in the same email. Run the installer, open the plugin, enter the key once and you're done — one key activates up to 4 of your machines.

Can't find the email? Check spam, then search for "Desert Moon Audio". If it still isn't there, get in touch with the address you ordered with and we'll resend it.

Can I run it offline?

Yes — after activation. Entering your license key needs an internet connection once; from then on the plugin runs fully offline and doesn't phone home.

If a studio machine never goes online, get in touch and we'll sort out an activation for it.

Tech specs

Plugin formats: AU, VST3 and AAX (64-bit).

Platform: macOS 10.13 and up, including native Apple Silicon. Windows 10 and newer.

DAWs: All major DAWs — Ableton Live, Pro Tools, Logic Pro, FL Studio, Cubase, Studio One, Bitwig, Reaper and Reason.

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